What Didn’t You Get?

Following up on the Perspective thread, a slightly different spin :

What “high school classic”, that you never read in high school, did you finally get around to reading, only to not see what the big deal was?

I don’t want to talk about what you loved, or how every book you pick up you grok from the first word.  I want to hear about something that modern culture tells you should have meant something to you, and just… didn’t.

Perspective : Catcher in the Rye

We’re a bit of a strange group, we Shakespeare geeks.  We voluntarily seek out and read things that, were we teenagers, our teachers would have had to force us to read, giving us quizzes at every breaking point and asking us all about themes and symbolism.
So having just read Catcher in the Rye 25 odd years after I should have, with no teachers to tell me what it’s about, I find that my perspective has changed. I didn’t love it.  I think it’s a good book, and I can see that it’s trying to tell me … something.  But I’m not sure I fully grasp what.  And, 25 years after the fact, I’m not sure that I can.
Does that make sense?  We’ve often talked about approaches to teaching Shakespeare, and the difference between getting the kids to love it versus telling them to just shut up and do it. But I think there’s a big gap in between those two that isn’t served by that sort of black and white approach. Namely, do you understand it? Do you have questions, do you need help? Most importantly, what does the material mean to you?
As a 40yr old father of 3, Catcher in the Rye to me is an unrealistic, dated story about an annoying 12yr old who has some pretty hefty psych issues, very likely depression and possibly some form of attention deficit disorder.  I didn’t bond with the title character in any way.   I didn’t sympathize with him.  I didn’t get him.
I wonder which is more at fault, the fact that it’s no longer as relevant to me? Or the fact that I didn’t have somebody spoonfeeding it to me?
re: the Shakespeare connection, by the way, we’ll do another post on that one.  I’m not willing to accept that Hamlet gets credit for every angst-ridden teenager with parent issues, unless we want to go all Bloomy and just say that Shakespeare invented the human.

The Original Klingon

I’m sure most geeks know that Shakespeare translations have been available in Klingon for years.  I’m not sure I’ve ever heard about anyone trying to perform it in Klingon, however.  They’re just doing selections (Hamlet and Much Ado), but still, it could be interesting to watch.  I wonder if they’ll be dressed up in Klingon garb? By the way:

The company will speak the verse in both English and Klingon with the lines in iambic pentameter.

Iambic pentameter defines how it is written, not how it is spoken.  If they’re saying that the Klingon translation is also in iambic pentameter I’ll be impressed, but I also expect that it’ll be about as poetic as the typical syllable counting that goes on with most people that any 5-7-5 poem counts as a haiku.

Pitch The Sequel

Wow, the ideas are just flying fast and furious tonight.
Mark made me think of this one on the “Who Would You Be?” post when he mentions Miranda and Ferdinand getting back to Milan and breaking up once Miranda gets to see just how many people this brave new world really does have in it.
You’re in an elevator with a big time movie producer.  You’ve talked his ear off about what plays you think deserve a movie treatment, but he’s not interested. He wants something original. He ponders aloud whether the market would be there for a Shakespeare sequel.  Without missing a beat you pitch him …. what?
Tell us the play, and give us a concise summary of the sequel.
This has been done before.  I’m pretty sure I remember somebody did a play Fortinbras about the new ruler of Denmark who is now haunted by all the ghosts from the previous play.  (I’m not really counting the movie Hamlet 2.)  Somebody’s also got a book project in the works, not sure if there’s a movie, that follows up Macbeth and ties in the storyline of how Fleance (you know, Banquo’s son? who escaped?) returns to become king.